Friday, April 20, 2018

Link Wray (USA)

Link Wray (2.May 1929-5 Nov.2005) may never get into the Rock and Roll Hall of Fame, but his contribution to the language of rockin' guitar would still be a major one, even if he had never walked into another studio after cutting "Rumble." Quite simply, Link Wray invented the power chord, the major modus operandi of modern rock guitarists. Listen to any of the tracks he recorded between that landmark instrumental in 1958 through his Swan recordings in the early '60s and you'll hear the blueprints for heavy metal, thrash, you name it. Though rock historians always like to draw a nice, clean line between the distorted electric guitar work that fuels early blues records to the late-'60s Hendrix-Clapton-Beck-Page-Townshend mob, with no stops in between, a quick spin of any of the sides Wray recorded during his golden decade punches holes in that theory right quick. If a direct line can be traced forward from black blues musicians crankin' up their amps and playing with a ton of violence and aggression to young white guys doing a mutated form of same, the line points straight to Link Wray, no contest. Pete Townshend summed it up for more guitarists than he probably realized when he said, "He is the king; if it hadn't been for Link Wray and "'Rumble,'" I would have never picked up a guitar."
Link Wray ws born in Dunn, North Carolina. Link was a Native American, Shawnee. Three songs he performed were named for American Indian tribes: "Shawnee", "Apache", and "Comanche". "Apache" was an instrumental composed by Jerry Lordan; it was originally a hit in the United Kingdom for The Shadows in 1960. Wray recorded a cover version 30 years later, when it was also associated with The Ventures and the Incredible Bongo Band.
Wray served in the U.S. Army during the Korean War, and contracted tuberculosis, which hospitalized him for a year. His stay concluded with the removal of a lung, which doctors predicted would mean he would never be able to sing again.
1973
Polydor 2391063/ 11 tr./ 42:58 min.
 1995
Norton 242/2CD/ 63 tr./ 144:02 min.

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